參考文獻 |
一、英文書目
Ades, Dawn, Photomontage. London: Thames and Hudson, 1976.
Angress, Werner T., Stillborn Revolution: The Communist Bid for Power in Germany, 1921-1923. Princeton: Princeton University Press, 1963.
Baigell, Matthew & Julia Williams ed., Artists Against War and Fascism: Papers of The First American Artists’ Congress. New Jersey: Rutgers University Press, 1986.
Beaumont, Matthew ed., Adventures in Realism. Oxford: Blackwell, 2007.
Berger, John, About Looking. New York: Vintage, 1980.
Bergius, Hanne, “Dada Triumphs!” Dada Berlin, 1917-1923: Artistry of Polarities Montages-Metamechanics-Manifestations. New York: G.K. Hall & Co., 2003.
Borchardt-Hume, Achim ed., Albers and Moholy-Nagy: From the Bauhaus to the New World. New Haven: Yale University Press, 2006.
DeSchong, Andrew W., The Theatrical Designs of George Grosz. Ann Arbor: UMI Research press, 1982.
Dickerman, Leah and Matthew S. Witkovsky ed., The Dada Seminars. Washington: The National Gallery of Art, 2005.
Dos Passos, John, “Satire as a Way of Seeing.” in Interregnum. New York: Black Sun Press, 1936.
Fitzpatrick, Sheila, The Commissariat of Enlightenment: Soviet Organization of Education and the Arts under Lunacharsky. Cambridge: Cambridge University Press, 1970.
Flavell, M. Kay, George Grosz: A Biography. New Haven: Yale University Press, 1988.
Foster, Stephen C. ed., Dada: The Coordinates of Cultural Politics. New York: G.K. Hall & Co., 1996.
Fowkes, Ben, Communism in Germany under the Weimar Republic. London: Macmillan, 1984.
Gale, Mathew, Dada & Surrealism. London: Phaidon Press Limited, 1997.
Gough, Maria, The Artist as Producer: Russian Constructivism in Revolution. Los Angeles: University of California Press, 2005.
Grosz, George: A Little Yes and a Big No: The Autobiography of George Grosz, translated by Lola Sachs Dorin. New York: The Dial Press, 1946.
Hess, Hans, George Grosz. New York: Macmillan Publishing Co., Inc., 1974.
Kiaer, Christina, Imagine No Possessions: The Socialist Object of Russian Constructivism. MA: Massachusetts Institute of Technology, 2005.
Killen, Andreas, Berlin Electropolis: Shock, Nerves, and German Modernity. Los Angeles: University of California Press, 2006.
Kranzfelder, Ivo, George Grosz 1893-1959, translated by Michael Hulse. Cologne: Taschen GmbH, 2001.
Lavin, Maud, Cut with the Kitchen Knife: The Weimar Photomontages of Hanna Höch. New Haven: Yale University Press, 1993.
Lewis, Beth Irwin, George Grosz: Art and Politics in the Weimar Republic. New Jersey: Princeton University Press, 1971.
Lidtke, Vernon L., The Alternative Culture: Socialist Labor in Imperial Germany. Oxford: Oxford University Press, 1985.
McCloskey, Barbara, George Gorsz and the Communist Party: Art and Radicalism in Crisis, 1918 to 1936. New Jersey: Princeton University Press, 1997.
Nesbit, Peter ed., German Realist Drawings of the 1920s. Cambridge: Busch-Reisinger Museum, 1986.
Nochlin, Linda, Realism. London: Penguin, 1971.
Ottanelli, Fraser M., The Communist Party of the United States: From the Depression to World War II. New Brunswik: Rutgers University Press, 1991.
Peukert, Detlev J. K., The Weimar Republic: The Crisis of Classical Modernity, translated by Richard Deveson. New York: Hill and Wang, 1987.
Preziosi, Donald, ed., Art of Art History: A Critical Anthology. Oxford: Oxford University Press, 1998.
Sandqvist, Tom, Dada East: The Romanians of Cabaret Voltaire. MA: The MIT Press, 2006.
Schrader, Bärbel and Jürgen Schebera, The “Golden” Twenties: Art and Literature in the Weimar Republic, translated by Katherine Vanovitch. New Haven: Yale University Press, 1988, first published in the German Democratic Republic by Edition Leipzig 1987.
Shapiro, David ed., Social Realism: Art as a Weapon. New York: Frederick Ungar Publishing, 1973.
Smith, Paul and Carolyn Wilde ed., A Companion to Art Theory. Oxford: Blackwell, 2002.
Teitelbaum Matthew, Montage and Modern Life: 1919-1942. MA: The MIT Press, 1992.
Waldfogel, Melvin, Beth Irwin Lewis and Sidney Simon, Grosz/Heartfield: The Artist as Social Critic. Minnesota: University of Minnesota, 1980.
Weinstein, Joan, The End of Expressionism: Art and the November Revolution in Germany, 1918-19. Chicago and London: The University of Chicago Press, 1990.
Whitford, Frank ed., The Berlin of George Grosz: Drawings, Watercolours and Prints 1912-1930. New Haven: Yale University Press, 1997.
Willett, John, Art and Politics in the Weimar Period: The New Sobriety, 1917-1933. New York: Da Capo Press, 1996, unabridged republication of the edition published in New York in 1978.
Willett, John, The Weimar Years: A Culture Cut Short. New York: Abbeville Press Publishers, 1984.
Wood, Paul, Francis Frascina, Jonathan Harris, Charles Harrison, Modernism in Dispute: Art since the Forties. New Haven: Yale University Press, 1993.
Zammito, John H., The Great Debate: ‘Bolshevism’ and the Literary Left in Germany, 1917-1930. New York: Peter Lang Publishing, Inc., 1984
二、中文書目
Toby Clark著,吳霈恩譯,《藝術與宣傳》(台北:遠流,2003)
彼得‧蓋伊(Peter Gay)著,劉森堯譯,《威瑪文化》(台北:立緒,2003)
石計生,《藝術與社會:閱讀班雅明的美學啟迪》(台北:遠足文化,2003)
福科、哈貝瑪斯、布爾迪厄等著、周憲譯,《激進的美學鋒芒》(北京:中國人民大學出版社,2003)
亨利‧貝阿爾、米歇爾‧卡拉蘇著,陳聖生譯,《達達:一部反叛的歷史》(桂林:廣西師範大學出版社,2003)
Herschel B. Chipp著,余珊珊譯,《現代藝術理論I》(台北:遠流,1995)
Hal Foster主編,呂健忠譯,《反美學》(台北:立緒,1998)
Jeffrey C. Alexander、Steven Seidman主編,《文化與社會》(台北:立緒,1997)
Stephen C. Foster策劃,Estera Milman、賴瑛瑛策劃助理,《達達的世界》(台北:台北市立美術館,1988)
三、期刊論文
Benson, Timothy O., “Mysticism, Materialism, and the Machine in Berlin Dada,” Art Journal, Vol. 46, No. 1, Mysticism and Occultism in Modern Art. (Spring, 1987), pp. 46-55.
Clemons, Leigh, “Serious Fun: Berlin Dada’s Tactical Engagement with German National Narration,” Theatre Research International, vol. 28, no.2, pp.143-156.
Doherty, Brigid, “The Work of Art and the Problem of Politics in Berlin Dada,” OCTOBER 105, Summer 2003, pp.73-92.
White, Michael, “The Grosz Case: Paranoia, Self-hatred and Anti-Semitism,” Oxford Art Journal, 30.3 2007, pp.431-453.
Simmons, Sherwin, “Chaplin Smiles on the Wall: Berlin Dada and Wish-Images of Popular Culture,” New German Critique, No.84. (Autumn, 2001), pp.3-34.
Flavell, M. Kay, “Art and Politics in the Correspondence between Grosz and Brecht, 1934-36,” The Modern Language Review, Vol.79, No.4. (Oct., 1984), pp.859-876.
Botar, Oliver A. I., “From the Avant-Garde to ‘Proletarian Art’,” Art Journal, Vol.52, No.1, Political Journals and Art, 1910-40. (Spring, 1993), pp.34-45.
四、線上網路資源
http://sdrc.lib.uiowa.edu/dada/ (美國愛荷華大學國際達達檔案中心)
http://www.moma.org/research/ (美國當代美術館線上資料搜尋,DADABASE) |