參考文獻 |
參考書目
中文
1. Brandenberg, Aliki: 《莎士比亞 —— 環形劇場的誕生》(William Shakespeare & the Globe),許琳英譯。台北 (遠足文化),2009,(2000)。
2. Forster-Nietzsche, Elizabeth:《巨人的聚散 —— 尼采與瓦格納》(The Nietsche – Wagner Correspondence),冷杉、楊立新譯。中國北京 (生活.讀書.新知三 聯書店),2010,(1922)。
3. Godefroid, Philippe: 《華格納:世界終極的歌劇》(Richard Wagner: l’opera de la fin du monde),周克希譯。台北 (時報文化),2001,(1988)。
4. Hanslick, Eduard: 《論音樂美—音樂美學的修改論文》 (Vom Musikalisch —— Schonen–einBeitragzurRevisionderAsthetikderTonkust),陳慧珊譯。台北 (世界文物),1997,(1918)。
5. Jung, Carl Gustav :《回憶.夢.省思 —— 榮格自傳》 (Erinnerungen, Traume, Gedaken von C. G. Jung),劉國彬、楊德友譯。台北 (張老師文化),1997,(1962)。
6. List, Franz 和 Richard Wagner:《兩個偉大男人的神話 —— 瓦格納和李斯特的書信集》(Correspondence of Wagner and Liszt),呂旭英、徐龍軍譯。中國北京 (中國人民大學出版社),2004,(1888)。
7. Tommasini, Anthony:《紐約時報嚴選100 張值得珍藏的歌劇專輯》 (The New YorkTimesEssentialLibrary:Opera),林宏宇、陳至芸、楊偉湘譯。台北 (商周出版),2007,(2004)。頁 410-415。
8. 杜美:《德國文化史》。台北 (揚智文化),1993。
9. 洪力行: 《十九世紀法國文學界的華格納風潮 (Wagnerisme) —— 一個跨藝術研究的思考》。輔仁大學比較文學研究所博士論文,2005。
10. 張堯欽:〈理查.華格納的《精靈》探討〉,自《台大文史哲學報》。台北, 第 70 期,2009.05。頁 231~267。
11. 陳仕蘋:《《阿含經》與《大般若經.第二會》裡的無明觀:從聲聞乘到菩薩乘的銜接與超越》,政治大學宗教研究所,2003。
12. 吳羅瑜(總編輯):《聖經 —— 串珠.註釋本》。香港尖沙嘴 (福音證主協會證道出版),1993。
外文
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3. Bache, Constance: The Bayreuth Festival, in: The Musical Times and Singing Class Circular (Musical Times), Vol. 27, No. 523 (Sep. 1, 1886), pp. 530 - 531.
4. Barone, Anthony: Theodor W. Adorno: ‘On the Score of“Parsifal”, in: Music & Letters (Oxford University Press), Vol. 77, No.1 (Feb., 1996), pp. 166-166
5. Barone, Anthony: Richard Wanger’s “Parsifal”and the Theory of Late Style, in: Cambridge Opera Journal (Cambridge University Press.), Vol. 7, No. 1 (Mar., 1995), pp. 37-54.
6. Bassett, Peter: Wagner’s Parsifal. The Journey of a soul. Kent Town, South Australia (Wakefield Press), 2000.
7. Baur, Oswald Georg: Richard Wagner The stage designs and proudctions from premieres to present. New York (Rozzoli), 1983. P. 264-292
8. Beckett, Lucy: Richard Wagner, Parsifal. Cambridge (Cambridge University Press), 1981.
9. Beckett, Lucy: ‘Parsifal’ As Drama, in: Music & Letters (Oxford University Press), Vol. 52, No.3 (Jul., 1971), pp. 259-271.
10. Breuer, Stefan: Religion – Kunst – Politik. in Richard Wagner. Kiem, Eckehard Eds. Laaber (Laaber-Verlag), 2003. p. 145-182.
11. Borchmeyer, Dieter: Drama and the world of Richard Wagner, translated by Daphne Ellis. New Jersey (Princeton University Press), 2003. p. 238 - 337. First published in German under the title Richard Wagner: Ahasvers Wandlung. Frankfurt am Main (Insel Verlag), 2002.
12. Clampitt, David: Alternative Interetations of Some Mesures from “Parsifal”, in: Journal of Music Theory (Duke University Press on behalf of Yale University Deparyment of Music.), Vol. 42, No. 2, Neo-Riemannian Theory (Autumn, 1998), pp. 321-334.
13. Corse, Sandra: “Parsifal”: Wanger, Nietzsche, and the Modern Subject, in: Theatre Journal (The Johns Hopkins University Press), Vol. 46, No. 1 (Mar., 1994), pp. 95-110.
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15. Darr, Norma M. : Reading the Body and Blood of“Parsifal” : A Performance at Hellerau, in: The Musical Quarterly (Oxford University Press), Vol. 80, No. 4 (Winter, 1996), pp. 629-647.
16. Dehnert, Edmund J.: Parsifal as Will and Idea, in: The Journal of Aesthetics and Art Criticism (The American Society of Aesthetics), Vol. 18, No. 4 (Jun., 1960), pp. 511-520.
17. Emslie, Barry: Woman as Image and Narrative in Wagner’s “Parsifal” : A Case Study, in: Cambridge Opera Journal (Cambridge University Press), Vol. 3, No. 2 (Jul.,1991), pp. 109-124.
18. Ewert, Hansjorg: Wangers Dramaturgie von Musikgeschichte. in Richard Wagner. Kiem, Eckehard Eds. Laaber (Laaber-Verlag), 2003. p.307-346.
19. Geck, Martin: Richard Wagner, in: Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopadie der Musik. Unter Mitarbeit zahlreicher Musikforscher des In- und Auslandes herausgegeben von Friedrich Blume. Kassel (Barenreiter-Verlag), 2007. Bd. 17, p. 286-350.
20. Geck, Martin and Voss, Egon ed. : Richard Wagner, Samtliche Werke, Vol. 30 : Dokumente zur Entstehung und ersten Auffuhrung des Buhnenweihfestspiels“Parsifal”. Mainz (Schott), 1970. P. 90-134.
21. Grout, Donald Jay: A short history of opera. New York (Columbia University Press), 1988. p. 454-491.
22. Hutcheon, Linda and Michael Hutcheon: Syphilis, Sin and Social Order: Richard Wanger’s “Parsifal”, in: Cambridge Opera Journal (Cambridge University Press), Vol. 7, No. 3 (Nov., 1995), pp. 261-275.
23. Kiem, Eckehard: Musikdrama. in Richard Wagner. Kiem, Eckehard Eds. Labber (Laaber-Verlag), 2003. p. 99-122.
24. Kienzle, Ulrike: Das Weltberwindungswerk : Wagners “Parsifal”, ein szenisch-musikalisches Gleichnis der Philosophie Arthur Schopenhauers. Laaber (Laaber- Verlag), 1992.
25. Kinderman, William: Wagner’s Parsifal: Musical Form and the Drama of Redemption, in: The Journal of Musicology (California University Press), Vol. 4, No. 4 (Autumn, 1985 – Autumn, 1986), pp. 431-446.
26. ————————: Corrigenda: Wanger’s Parsifal: Musical Form and the Drama of Redemption, in: The Journal of Musicology (California University Press), Vol. 5, No .2 (Spring, 1987), pp. 315-316.
27. ————————: Die Entstehung der “Parsifal”-Musik”, in: Archiv fur Musikwissenschaft (Franz Steiner Verlag), 52. Jahrg., H.1. (1995), pp. 66 - 97.
28. Kinderman, William and Katherine R. Syer (Ed.) : A Companion to Wagner’s Parsifal. New York (Camden House) 2005.
29. Klein, Richard: Uber Nahe und Abstand Adornos zu Richard Wagner, in: Richard Wagner. Kiem, Eckehard Eds. Laaber (Laaber-Verlag), 2003. p. 183-236.
30. Lewvin David: Amfortas’s Prayer to Titurel and the Role of D in “Parsifal”: The Tonal Spaces of the Drama and Enharmonic Cb/B, in: 19th-Century Music (University of California Press), Vol. 7, No. 3. Eassys for Joseph Kerman (Apr. 3.,1984), pp. 336-349.
31. Mahnkopf, Claus-Steffen: Wagner und die nicht nur musikalischen Folgen, in: Richard Wagner, Eckehard Kiem Ed. Laaber (Laaber-Verlag), 2003. p. 347-364.
32. Mander, Raymond and Joe Mitchenson: The Wagner Companion. London ( A Comet Book), 1987. p. 1~2, 186~202.
33. McCreless, Patrick: Motive and Magic : A Referential Dyad in ‘Parsifal’, in: Music Analysis (Blackwell Publishing), Vol. 9, No. 3. (Oct., 1990), pp. 227 - 265.
34. Millington, Barry: Parsifal: Facing the Contradictions, in: The Musical
Times (Musical Times), Vol. 124, No. 1680, Richard Wagner Centenary
Issue. (Feb., 1983), pp. 97-98.
35. Mosch Stephan: Weihe, Werkstatt, Wirklichkeit. Parsifal in Bayreuth 1882-1993. Kassel (Barenreiter); Stuttgart und Weimar (Metzler), 2009.
36. Muller, Thomas: Das Vorspiel zum III.Akt des Parsifal, in: Richard Wagner. Eckehard Kiem Ed. Laaber (Laaber-Verlag), 2003. p. 291-306.
37. Muller, Ulrich and Peter Wapnewski (Ed.) : Wagner Handbook, Translation edited by John Deathridge. Cambridge (Harvard University Press), 1992. Originally published as Richard-Wagner-Handbuch. Stuttgart (Alfred Kroner Verlag), 1986.
38. Newman, Ernest: The Life of Richard Wagner, Volume IV. 1866-1883.
Cambridge (Cambridge University Press), 1976. P. 598-719.
39. Osborne, Charles: The complete operas of Richard Wagner. New York (Da Capo Press), 1990. p. 263-285.
40. Pahlen, Kurt: Richard Wagner. Parsifal. Mainz (Schott Musik International), 1981.6. Auflage, 1997.
41. Philippe, Lacoue-Labarthe: Musica Ficta (Figures of Wagner), translated by Felicia McCarren. Stanford, California (Stanford University Press), 1994. Originally published in French under the title Musica Ficta (Figures de Wagner). Paris (Christian Bourgois Editeur), 1991.
42. Polth, Michael: Klangfarbe und Orchestertechnik. In: Richard Wagner. Kiem, Eckehard Eds. Labber (Laaber-Verlag), 2003. p. 331-346.
43. Salazar, Adolfo and Gilbert Chase : Parsifal in Romanic Lands, in: The Musical Quarterly (Oxford University Press), Vol. 25, No. 1 (Jan., 1993), pp. 76-96.
44. Savill Agnes: Parsifal in Covent Garden and Elsewhere, in: Music & Letters (Oxford University Press), Vol. 8, No. 4 (Oct., 1927), pp. 405-417.
45. Seeger, Horst: Opern Lexikon K~Z. Hamburg (Rowohlt Taschenbuch Verlag GmbH), Januar, 1982. p. 678-679.
46. Skelton, Geoffrey: Wagner in thought and practice. Portland, Oregon (Amadeus Press), 1992. First publisched in Great Britain, 1991.
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48. Stein, Jack Madison: Richard Wagner &The synthesis of the arts. Wayne State (Wayne State University Press), 1960. p. 61-80, 157-166, 215-218.
49. Stewart, Suzanne R. : The Theft of the Operatic Voice: Masochistic
Seduction in Wagner’s “Parsifal”, in: The Musical Quarterly (Oxford
University Press), Vol. 80, No. 4 (Winter, 1996), pp. 597-628.
50. Suschitzky, Anya: “Fervaal, Parsifal,” and French National Identity, in: 19th-Century Music (California Univerdity Press), Vol. 25, No. 2/3, The
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51. Tucker, Gillian: Wagner’s Individual Sketches for ‘Parsifal’, in: Proceedings of the Royal Musical Association (Oxford University Press on behalf of the Royal Musical Association), Vol. 110 (1983 - 1984), pp. 91-110.
52. Unger, Max: The Persian Origins of ‘Parsifal’ and ‘Tristan’, in: The Musical Times (Musical Times Publications Ltd.), Vol. 73, No. 1074 (Aug. 1, 1932), pp. 703-705.
53. Unger, Max and Theodore Baker: The Cradle of the Parsifal Legend, in: The Musical Quarterly (Oxford University Press), Vol. 18, No. 3 (Jul., 1932), pp. 428-442.
54. Wagner, Cosima: Cosima Wagner’s Diaries. Vol.1 - 2. edited and annotated: Martin Gregor-Dellin and Dietrich Mack, translates by: Geoffrey Skelton. New York (Harcourt Brace Jovanovich), 1980.
55. Wagner, Richard: Mein Leben. Munchen (F. Bruckmann Ldt), 1911.
56. Wagner, Richard: My Life. New York (Tudor publishing company), 1936.
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59. Whittall, Arnold: Wagner and Real Life, in: The Musical Times (Musical Times), Vol. 137, No. 1840 (Jun., 1996), pp. 5-11.
60. Wolzogen, Hans von: Thematic guide through the music of Parsifal. With a preface upon the legendary material of Wagnerian drama. Translates by: E. C. Carrick. Leipzig (F. Reinboth); New York (G. Schirmer).
網站
1. 拜羅伊特節慶劇院網站 http://www.bayreuther-festspiele.de/ (2010.04.05)
2. 華格納博物館 (Bayreuth) http://www.wagnermuseum.de/ (2011.11.8)
3. 華格納博物館 (Tribschen) http://www.richard-wagner-
museum.ch/de/index/index.php (2011.11.8)
4. 華格納的繆斯 —— 法國作家莒蒂特與德國作曲家理查華格納之間的關係
http://www.istrianet.org/istria/illustri/grisi/gautier/judith-muse.htm
(2011.10.11)
5. 莎士比亞學術資源網站 http://shakespeare.palomar.edu/life.htm
(2010.09.01)
6. 林愛華:格林童話與中古文學 http://www.docin.com/p-79499642.html
(2010.10.02)
7. 基督教香港崇真會蕭劉燕霞牧師:四卷福音書記載的耶穌受膏事件
http://www.kyc.org.hk/spiritual/mp3/sermon-worship.html (2010.10.02)
8. Everett, Derrick: “Monsalvat – The Parsifal pages”
http://www.monsalvat.no/index.htm (2010.04.01)
9. Diesinger, Gerrit: “Wagner Web” http://www.richard-wagner-web.de/
(2011.11.14)
10. Millington, Barry: “Richard Wagner”
http://www.oxfordmusiconline.com/subscriber/article/grove/music/29769p
g1#S29 769.1 (2010.03.15) (New Grove2007 線上版)
11. Skramstad, Per-Erik: “Wagneropera” http://www.wagneropera.net/
(2011.11.8)
12. Vargas, Vincent: “Wagner Operas. com” http://www.wagneroperas.com/
(2011.11.14)
13. “Historicopera” http://www.historicopera.com/ (2011.11.15)
14. Wikipedia :
“Dresden Amen”
http://en.wikipedia.org/wiki/Dresden_amen (2012.02.02)
“Richard Wagner”
http://de.wikipedia.org/wiki/Richard_Wagner (2011.11.8)
“Planer Minna”
http://de.wikipedia.org/wiki/Minna_Planer (2011. 10. 10)
“Hans von Bulow”
http://de.wikipedia.org/wiki/Hans_von_Bulow (2011. 10. 10)
“Houston Stewart Chamberlain” http://de.wikipedia.org/wiki/Houston_Stewart_Chamberlain (2011.10.10)
樂譜
1. Wagner, Richard: Parsifal. Leipzig (C. F. Peters), 1914.
2. Wagner, Richard: Parsifal. Arr. by: Karl Klindworth. Mainz (B. Schott’s
Sohne), 1902.
DVD
1. Palmer, Tony: Richard Wagner. Parsifal. The search for the grail. America
(Well Go USA, Inc. WD-164), 2005.
2. Rohmer, Eric: Perceval le Gallois
3. Wagner, Richard: Parsifal. conducted by Horst Stein, Bayreuther Festspiele
Orchestra & Chorus, staged by Wolfgang Wanger. Hamburg (Deutsche
Grammophon GmbH, 00440 073 4328), 2007. Recording: Festspielhaus,
Bayreuth, 24 June – 15 July 1981.
4. Wagner, Richard: Parsifal. conducted by James Levine, Metropolitan Opera
Orchestra & Chorus, staged by Phebe Berkowitz. Hamburg (Deutsche
Grammophon GmbH, 073 032-9), 1994.
5. Wagner, Richard: Parsifal. conducted by Bernard Haitink, Oper Zurich
Orchestra & Chorus, staged by Hans Hollmann. Hamburg (Deutsche
Grammophon GmbH, 00440 073 4407), 2008.
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