摘要(英) |
Taiwan, was a king of Jazz Drum production。As the most of traditional industry, Jazz Drum been experienced Jazz music popular in 1920、Rock n Roll music of Beetles in 1970and POP music spreading in 1980 etc, many times of different music style renew and integration make oligopoly competition in this industry. Recent, Pearl, the leader brand of Jazz drum, plans to go forward new strategy of integration owing to pursue better margin and controlling the cost in 2008. Pearl announced to cancel the distribution of each member in EU and will take over the channel of distribution and warehouse and logistic since 2009. Pearl will get the efficiency and cost saving in the whole supply chain via strategy of integration. Mapex, which is the main follower, is facing to make decision to follow up this strategy to integrate the distribution or not.
This research focuses on the Jazz drum musical industry in two ways. First, the research reviews the history of Jazz drum production and discusses the structure of musical industry and Jazz drum. Second, the research analysis the global strategy of oligopoly firms of competition of current status and vertical integration by leader-follower model of game theory.
This research conclusion discussed the firms facing important issues are growing and keep making profit under the global competition. The key of successful is forward integration. Leader firm can increased the market share and profit and make barrier in industry by vertical integration. Best way what follower can do is to follow the strategy. This will lead to next price competition in the market. After all the result is base on how fast you can make it.
|
參考文獻 |
一、中文部份
1. 王光正(2000),垂直整合市場與策略性貿易之經濟分析,台灣大學經濟研究所博士論文。
2. 林昌黎(2000),產品差異性與上下游製造業-通路商垂直整合探討,東海大學企業管理研究所碩士論文。
3. 陳秀惠,(2000),音樂產業價值創造系統演進之研究,國立政治大學企業管理研究所碩士論文。
4. 陳正倉 林惠玲 陳忠榮 莊春發 (2006),產業經濟學
二、西文部份
1. Aaker,D.(1991), Strategic market management, New York: Wiley & Sons Inc.
2. Burnett, R. (1992), The Global Jukebox: The international Music Industry.
3. Billings, G.(2009), “29ways to Cuts Costs”, The 2009 Gear Guide Feb 2009”pp34-36.
4. Cohan, J.(1997), A short History of The Drum Set, The Drummer’s Almanac,pp10-16
5. Frith, S.(1978), The Sociology of Rock. U.K: Constable & Co. Ltd
6. Giddin, G. and Devaux S.(2008), Historicism in Jazz, The Jazz Education Guide 2008/2009 pp56-62
7. Horn, R. V.(1996), “taking Care of Business”, The Working Drummer,pp94-125
8. Horn, R. V.(1996),Things That Affect Your Drum Sound, The Drummer’s Studio Survival Guide
9. Majeski, B. T.(2008), ”The Year in Review”, The Music Trade-Jan 2008, pp102-115
10. Patmos, M.(2008), Anatomy of A Drum shell”, The Modern Drummer –March 2008,pp162-171
11. Rothenbuhler, E & Streck, J.(1998) The Economics of the Music Industry. In Allison Alexander, James Owers and Rodney Carveth (eds.). Media Economics, Theory and Practice. Mahwah, New Jersey: Lawrence Erlbaum Associates.
12. Wissmuller, C.(2009), The Social Networking Revolution: Not Just for the Kids Anymore, The Musical Merchandise Review Jan 2009, pp32-42
|