《法句譬喻經》的敘事研究; “Dharmapada- avad?na” Narrates the research

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Title:	《法句譬喻經》的敘事研究;“Dharmapada- avad?na” Narrates the research
Authors:	陳蓉美;Jung-mei Chen
Contributors:	中國文學系碩士在職專班
Keywords:	情節;佛教文學;敘事;法句譬喻經;人物;Dharmapada- avadāna;Narrative;Buddhism literature;Plot;Characte
Date:	2010-07-12
Issue Date:	2010-12-08 13:57:29 (UTC+8)
Publisher:	國立中央大學
Abstract:	《法句譬喻經》是漢譯譬喻佛典中比較早期的一部，此部經典是據《法句經》的偈語而鋪展開來的譬喻佛典，它將宣教的偈語融入故事當中，變成故事情節的一部分。佛教對世俗大眾宣教時，常以故事做為宣教的工具，這些故事為了要吸引受眾者，會講究情節的布局以及人物的塑造，如此才能流傳久遠，研究佛經故事可以運用敘事學的方法，所以筆者擬從敘事學的幾項要素著手，即情節、人物、話語、敘述者與主題等。在研究目的上，希望經由文本的敘事分析，整理出經文的敘事藝術與敘事特色。本論文共分六章，第一章說明研究動機及目的、概述當前研究概況、說明本論文的研究方法；第二章溯源經典的形成、概述經文組織及流傳情形；第三章探討佛陀的神通教化模式、分析佛陀教誡說理的方式；第四章眾生際遇的敘事分析，分析人物的行為及其情節，分別是人物面對無常的情節、業報輪迴的情節、善惡人物對立的情節以及人物從愚到賢的形象轉變；第五章與其他佛經相似故事進行比較；第六章結論，總結經文的敘事特色與文學價值。經過論文的整理與分析之後，筆者歸納出《法句譬喻經》的敘事特色與文學價值如下：一是經文的故事內容開拓中國文學的題材，如業報輪迴、神通鬥法、生命無常等題材；二是在敘述者方面，敘述者常對人物內心進行描寫，並且常介入人事評論，有別於中國早期的敘事傳統；三是經文的義理一方面繼承佛教經律的精神，另一方面在故事內容與敘事形式上又有創新，而且是一部結構嚴謹的譬喻佛典。 “Dharmapada- avadāna” is the earlier one of Chinese Buddhist fable literature. This classic is a metaphor Buddhist literature deriving from “Dharmapada”. The adages were integrated as part of the story. Buddhist used to promote Buddhism for the crowd by telling stories. To attract the audiences, the order of events and the feature of characters of stories must be stressed. Therefore, those stories can be spread for a long time. Narrative mode is one of the methods to study Buddhism literature, so the author intends to investigate the several key narration factors, such as plot, character, language, narrator, theme, and so on. The research goal will reorganize the text narrative art and the literature characteristic There are six chapters of the thesis. Chapter one is research motivation and purpose. There are introduction and reviews of current researches as well as research methodology. Chapter two reviews the formation of classic and introduces the Buddhism literature organization and how it was spread. Chapter three discusses Buddha’s magical powers and analyses the way Buddha educating people. Chapter four analyses people’s behavior and the plot which includes characters facing impermanence, transmigration, saint and evil in the oppose way, and characters become to a virtue from a fool. Chapter five compares other similar Buddhism literatures. Chapter six, conclusion, is to summary text narrative characteristic and literary value. After summarization and analysis, the author had concluded that the narrative mode and literature value of “Dharmapada- avadāna”is as bellow: (1)the stories of Buddhism literature enrich the Chinese Literature in transmigration, magical power, transformation, and so on, (2) the narrators of Buddhism literature often stress the deep inside of the characters, which is different from the traditional Chinese Literature narrators, (3) the logic of Buddhism literature not only inherit the principle of Buddhism but also has innovation in the story content and narrative mode.
Appears in Collections:	[Executive Master of Chinese Literature] Electronic Thesis & Dissertation

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