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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/66960

    Title: 小約翰●史特勞斯輕歌劇《蝙蝠》研究
    Authors: 陳俞伶;Chen,Yu-ling
    Contributors: 藝術學研究所
    Keywords: 小約翰‧史特勞斯;維也納;輕歌劇;《蝙蝠》;圓舞曲
    Date: 2015-01-25
    Issue Date: 2015-03-16 16:08:03 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 本論文主要探討19世紀維也納的重要作曲家小約翰‧史特勞斯(Johann Strauß II, 1825-1899)於1874年完成的輕歌劇《蝙蝠》(Die Fledermaus)。史特勞斯共創作了16部舞臺作品,其中以《蝙蝠》最為膾炙人口,至今百餘年,仍為全球各大劇院經常演出的經典劇目。《蝙蝠》的劇本由哈夫納(Karl Haffner, 1804-1876)和葛內(Richard Genée, 1823-1895 )根劇法國梅雅克(Henri eilhac, 1831-1897)和阿勒維(Ludovic Halévy, 1834-1908)的喜劇《年夜》(Le Réveillon, 1872)劇本改編而成。史特勞斯能夠開啟19世紀維也納輕歌劇的黃金時代,《蝙蝠》功不可沒,它是最能代表維也納輕歌劇的經典作品,為日後維也納輕歌劇的發展奠定了良好的模範。
    ;The thesis’ main objective is probing in-depth the operetta Die Fledermaus(The Bat, 1874), composed by a famous composer, Johann Strauß II(1825-1899) in the 19th century. Johann Strauß II composed sixteen stage pieces in his whole life. Die Fledermaus is the most popular one, a masterpiece which is still performed frequently around the opera theaters in the world. Based on Henri Meilhac(1831-1897)and Ludovic Halévy′s(1834-1908)comedy libretto Le Réveillon(1872), Die Fledermaus′ libretto is written and revised by Karl Haffner(1804-1876)and Richard Genée(1834-1908). Johann Strauß II opened the golden age of Viennese operetta in the 19th century . Die Fledermaus is one of the best pieces to represent and to establish a good model for Viennese operetta.
    Operetta is light, lively and highly entertaining. Sometimes it has the dramatic effect of irony and sarcasm. The story tells a plan of ′revenge of the bat′. The opera is permeated with elegant, light and smooth melody of waltz and it also amuses audience with humorous dialogues. Operetta′s main elements include: a love story, a large banquet scene and dance music. First, the thesis want to elaborate on Johann Strauß II′s career and experience and then focus on his composing process and style of the stage works. Second, it will analyze drama and music of Die Fledermaus′ overture and three-act. This auther want to probe how Strauß use his great dance melody to characterize different personalities. Finally, the thesis summarizes this operetta from music, characters, and plots to expound the meaning of contents and characteristics in this operetta. It is hoped that this thesis could explore Strauß′s artistic achievements, effects and status in the operetta history.
    Appears in Collections:[藝術學研究所 ] 博碩士論文

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