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    Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/84435


    Title: Christopher Dresser(1834-1904)《日本:其建築、藝術和藝術製造》圖像研究;A Study on the Illustrations in Christopher Dresser’s Japan: Its Architecture, Art, and Art Manufactures
    Authors: 謝宜君;Hsieh, Yi-Chun
    Contributors: 藝術學研究所
    Keywords: 十九世紀後半葉;Christopher Dresser;《日本:其建築、藝術和藝術製造》;日本主義;遊記;建築;插圖書籍;The late 19th century;Christopher Dresser;Japan: Its Architecture, Art, and Art Manufactures;Japonisme;Travelogues;Architecture;Japanese Illustrated Books
    Date: 2020-07-29
    Issue Date: 2020-09-02 19:47:07 (UTC+8)
    Publisher: 國立中央大學
    Abstract: 《日本:其建築、藝術和藝術製造》(Japan:Its Architecture, Art, and Art Manufactures)於1882年出版,紀錄英國工業設計師Christopher Dresser(1834-1904)在1876年遊歷日本的見聞,以及自身對日本設計的見解。此書普遍被認為是西方人嚴肅探討日本工藝和建築之早期著作,然而針對書籍展開的研究實屬少數。本文欲透過書內收錄的插圖,論證同時代遊記中,此書插圖的過人之處;另一方面也從遊記的圖文關係,一窺十九世紀後半葉,日本插圖書籍對旅日歐人造成的潛在影響。

    在討論《日本:其建築、藝術和藝術製造》之前,本文第一章將梳理Christopher Dresser個人作為和1876年訪日背景。第二章介紹《日本:其建築、藝術和藝術製造》一書,嘗試分類全書圖版,並與先前遊記插圖比對其中差異。第三章針對書中「建築」與「工藝過程」插圖,點出此書圖版的過人之處。第四章則聚焦「源自日本插圖書籍」的圖版,追溯圖像來源及使用方式。透過圖像和文字兩方面的分析,論證插圖書籍帶來的視覺影響與旅人經驗的互動關係。
    ;Japan: Its Architecture, Art, and Art Manufactures was published in 1882. It records British industrial designer Christopher Dresser′s (1834-1904) traveling experience in Japan in 1876 and his own views on Japanese design. This book is generally regarded as one of the earliest works seriously studying Japanese art manufacture and architecture by Westerners. However, few researches on this book have been carried out. By analyzing the illustrations in Japan: Its Architecture, Art, and Art Manufactures, this thesis attempts to demonstrate the distinct values of the book′s plates among the contemporary travelogues. In addition, through exploring the relation between the texts and images, I show how Japanese Illustrated Books subconsciously influence European travelers in the late 19th century.

    There are four chapters in this thesis. Chapter one outlines the career of Christopher Dresser and the background of his travel in 1876. Chapter two introduces Japan: Its Architecture, Art, and Art Manufactures, and classifies the plates in the whole book. It also compares the differences among various travelogues. Chapter three focuses on the plates classified as the catalogues of “Architecture” and “Art Manufacture.” Chapter four addresses the plates which were from Japanese Illustrated Books. I investigate the sources of these images as well as discuss the text-image relations. Through analyzing the texts and images, this thesis endeavors to reveal the interaction between Japanese Illustrated Books’ visual inspiration and the personal experience of the travelers.
    Appears in Collections:[藝術學研究所 ] 博碩士論文

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