第一章概述何謂開帳，並簡述泉涌寺與清涼寺出開帳簡史與寺史背景。第二章著重處理猿猴庵所繪的圖像，並探討江戶開帳時的靈寶展示場，與現今博物館陳設之異同。第三章透過文獻、展覽等資料，聚焦於本書兩次開帳中，數件具代表性的文物之特色。;This study aims at discussing Enkōan’s illustrated books “Sennyu-ji Reihō Haikenzu” and “Saga Reibutsu Kaichōshi.” The two sets of paintings, combined and published as one volume by the Nagoya City Museum, record two De-Kaichō, one of Kyoto Sennyu-ji in 1784, and the other of Saga Seiryō-ji in 1819. Through analyzing the composition of the paintings, I try to understand how the painter presented the exhibited objects and the exhibition spaces in Kaichō, and how he depicted the audience involved in the exhibitions. What’s more, by analyzing the historical significance of some important objects in the exhibitions, I try to show various aspects of value in the Kaichō events in the Edo period.
Chapter one discusses what Kaichō is, and provides a brief overview of the history of Sennyu-ji and Seiryō-ji. Chapter two focuses on analyzing Enkōan’s paintings, and also discusses how different the exhibition spaces are between Kaichō in the Edo period and the museum galleries nowadays. Chapter three looks at art-historical researches and discusses some objects especially significance in Enkōan’s paintings.
