| 摘要: | 臺灣的漫畫發展始於日治時期，在1950至1960年代間曾有一段黃金時期，卻因漫畫審查法的介入及其後種種連帶影響而陷入長期的衰微。1990間曇花一現的漫畫榮景，意味著臺灣漫畫在內容、編輯等層面仍有待更多元的發展。
近年來，「大人的漫畫」一詞常出現在臺灣漫畫的宣傳中，反映出漫畫作為一種文圖藝術的本質受到了正視，在單純的娛樂性之外，不論是讀者或創作者都在漫畫中追求更深刻的閱讀體驗及敘事可能。而太陽花運動後，年輕創作者渴望透過圖像來傳達自己的政治及社會意識，在這樣的背景下，紀實類作品成為臺灣漫畫的一股新浪潮。
法國身為漫畫藝術的大國，每年的安古蘭漫畫節是國際中深具影響力的漫畫盛事。在政府對漫畫相關國際交流的積極推動，以及出版業界對海外經典圖像小說作品的引進之下，法國文化之於臺灣漫畫的影響相當明顯。
為了了解臺灣漫畫在法國作品、相關漫畫活動或國際交流下受到的影響，也為了看見臺灣紀實漫畫的發展，本研究與數位漫畫相關從業人員進行訪談，其中除了創作者本身，也包含編輯及翻譯。
小莊、林莉菁、陳沛珛等漫畫創作者透過作品反映他們自身對時代、童年、政治、城市等主題所抱有的連結，其中的情懷和臺灣意象在海外引發迴響。慢工出版社則以「給大人的紀實漫畫」為標榜，製作了一系列從內容到外在設計都能體現藝術價值的漫畫作品，以真實的力量連結作品、讀者與社會，展現了漫畫的戰鬥姿態。
臺灣紀實漫畫的發展深受法國影響，雖然仍在起步階段，但未來卻值得期待。;The development of Taiwanese comics started at Japanese rules period. The golden age of Taiwanese comics in the 1950s is interrupted in the wake of the intervention of censorship and its subsequent impacts; the Taiwanese comics had to face a decline more than ten years. The ephemeral prosperity in the 1990s means that Taiwanese Comics needs to find its proper way in the elaboration of content and the aspect of edition.
In the recent years, “the comic for adults” becomes an expression usually appears in advertising, which means that people have attaches important to the essence of comic. Despite its function of entertainment, a profound reading experience and the multiple narrative potential are pursued by whether the readers or the artists. After the Sunflower Student Movement, the generation of young artists desired to express their social and political conscience and, under this context, the documentary creation became a new wave of Taiwanese comics.
France is famous of the art of comics, and The International Festival of Angouleme is known as the most influential grand event of comic all over the world. By virtue of the international exchanges promoted by the Taiwanese government and the introduce by publishing houses of foreign comic masterpieces, the influence from the French culture to the Taiwanese comic is considerable.
In order to understand the development of Taiwanese documentary comics and how the French culture influence the Taiwanese works, this research conducted several interviews with editor, translator and artists of comics in Taiwan.
The works of Sean Chuang, Li-chin Lin and Pei-hsiu Chen represent their bond with themes such as childhood, nostalgia, politics or city, etc. Furthermore, Slowork Publishing has been dedicated to make “the documentary comics for adults”, of which both the internal content and external form are provided with artistic quality. By the power of reality, Slowork has linked the comics to readers and society and shows to public their posture of combat.
The results of Taiwanese documentary comics are profoundly influenced by France. Although they are still in an initial phase, The future of Taiwanese documentary comics is worth looking forward to. |
