本篇論文以王韜「歐游」為中心，聚焦1849至1889年間王韜生命史與出版事業的發展。首先，探討1850年代王韜初入上海，受倫敦會傳教士影響，拓展之西學與世界觀。藉考察《遐邇貫珍》與《六合叢談》兩份倫敦會傳教士報刊引介的西學與西方文化篇章，及此時期王韜與傳教士合作之譯著，為友人代筆述游之作品，探析王韜初接觸西方所汲取的知識面向與論述。其次，則關注1862年以後王韜的香港歲月，梳理1867年王韜展開的歐游行旅軌跡，以及1870年歐游返港後，在文化與出版事業的成果，釐清王韜歐游經驗帶來的影響。最後，聚焦於王韜歐游作品《漫游隨錄圖記》，分析《點石齋畫報》初刊本保存的插頁圖像與文藝增刊，還原《漫游隨錄圖記》連載的互文與對話空間，進一步釐清王韜歐游作品中的革新思想與願景，及其中建構的世界觀與現代化視閾，重審王韜歐游行旅與作品在近代文化史上的重要意義。;This paper centers on Wang Tao′s European Travels, focusing on the development of Wang Tao′s life and publishing career from 1849 to 1889. Firstly, in the 1850s, Wang Tao entered Shanghai where he was employed by London Missionary Society, marking the beginning of his own expansion of horizons. By examining the western knowledge and culture introduced in the London Missionary Society′s publications such as Chinese Serial and Shanghae Serial, as well as translations collaborated with missionaries during this period, and works ghostwritten for friends, the paper explores the knowledge and discourse Wang Tao acquired from his initial contact with the West. Secondly, attention is paid to Wang Tao′s years in Hong Kong after 1862, followed by an overview of his European travels starting in 1867, and his achievements in culture and publishing upon his return to Hong Kong in 1870, clarifying the influence brought by Wang Tao′s European travels. Lastly, the focus is on Wang Tao′s work Manyou Suilu, analyzing the intertextuality and dialogical space preserved in the inaugural edition of Dianshizhai Pictorial through inserted images and literary supplements, and further clarifying the innovative ideas and visions, as well as the worldview and modernization perspective constructed in Wang Tao′s European travel works, re-evaluating the significance of Wang Tao′s travel and works in the cultural history of modern times.
