| 摘要: | 本論文探討客家電視電影《大桔大利闔家平安》的敘事結構、性別角色與客家文化元素。該電影將長照議題融入劇本，透過生動的影像和多層次的敘事手法，描繪了一個家庭的情感糾葛與社會變遷。
此外，本論文探討了影片中橘子園等符號的運用，象徵家庭情感的耕耘與收穫，並通過非線性的敘事手法，表現過往記憶對現實生活的影響。客家文化元素的應用，特別是石哀信仰對角色心理狀態和故事發展的影響，也在研究中進行了詳細分析。
研究中，分析劇中主要角色的互動，展現性別角色在家庭與職場中的掙扎與成長，特別是女性角色在公私領域中的身份轉換和權力關係。阿梅作為核心角色，展現了她在照顧家庭與追求個人幸福之間的平衡。同時，也探討影片中的性別角色重塑與權力互動，透過對身體空間與權力的探討，揭現社會結構對性別角色的影響。
藉由結構主義理論，分析了影視作品中的敘事符號、性別角色和身體論述，並結合當今社會現況進行討論，試圖揭示影片中隱含的哲學思辨和社會意涵。希望藉由本研究的初探，提供更多對客家文化與影視作品的理解。
關鍵詞：客家電視電影、敘事研究、身體論述;This paper examines the narrative structure, gender roles, and Hakka cultural elements in the Hakka television film " Dear Orange." The film incorporates long-term care issues into its script, portraying the emotional complexities of a family and the impact of social change through the use of vivid imagery and multi-layered narrative techniques.
Furthermore, this paper examines the function of symbols such as the orange orchard in the film, which symbolizes the cultivation and harvest of familial emotions. Furthermore, it illustrates how non-linear narrative techniques convey the influence of past experiences on the present. Furthermore, the study examines the influence of Hakka cultural elements, particularly the the god of rock, on the characters′ psychological states and the development of the narrative.
In this study, the interactions of the main characters in the drama are analyzed, demonstrating the struggles and growth of gender roles within the family and workplace. In particular, the identity shifts and power dynamics of female characters in both public and private spheres are examined. As a central figure, A Mei exemplifies the ability to balance familial obligations with the pursuit of personal fulfillment. Concurrently, the film examines the transformation of gender roles and power dynamics, elucidating the influence of social structures on gender roles through an investigation of physical space and power.
This study employs structuralism theory to analyze narrative symbols, gender roles, and bodily discourses in film and television works, while also contextualizing them within the current social milieu. It aims to elucidate the philosophical reflections and social implications embedded in the films. This preliminary research endeavors to provide a more profound comprehension of Hakka culture and its representation in film and television works.
Key Words: Hakka Television Films, Narrative Studies, Body Discours |
