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    Research Project [111/111]
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    Showing items 111-120 of 191. (20 Page(s) Totally)
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    DateTitleAuthors
    2011-08-30 捧桃將獻誰?日本桃山、江戶時期西王母圖像研究─以狩野派、圓山應舉為例; Presenting the peaches to…? A Study on Images of “the Queen Mother of the West” by Kan? Artists and Maruyama ?kyo, in Momoyama-Edo Period 楊雅琲; Ya-Pei Yang
    2011-08-30 東京美術學校畢業生自畫像研究--以1936年前作品為主; Self-portraits of Tokyo Bijutsu Gakko Graduates--on Works before 1936 謝蔆霠; Leng-Yin Hsieh
    2011-08-30 台灣陶瓷藝術文化之轉變-從陶器、陶藝到陶瓷博物館; The Transformation of Ceramic Culture in Taiwan-on Ceramic Art and the Establishment of Ceramic Museum 簡宜平; I-ping Chien
    2011-08-08 觀看淡水-風景意象的形成與風景畫; Viewing Tamshui-the shapingof landscape image and landscape painting 曹慧如; Hui-ju Tsao
    2011-07-25 全視之眼:Andreas Gursky的攝影美學與社會意涵 ; The All-seeing Eye: The Aestheic and Social Significance of Andreas Gursky’s Photography 林芝禾; Chih-Ho Lin
    2011-07-20 以沙龍女主人之名─苬佛涵夫人(Madame; Geoffrin,1699-1777)與週一藝術沙龍 In the Name of Saloniere: Madame Geoffrin(1699-1777) and Her Lundis 謝佳卉; Chia-Hui Hsieh
    2011-05-23 當代的叛亂,傳統的燔犧:森村泰昌的跨界主體; Revolt of Contemporaneity, Sacrifice of Tradition: The Crossover Subject of Morimura Yasumasa 黃士誠; Shih-cheng Huang
    2011-01-24 威爾第抒情喜劇《法斯塔夫》之研究; The Study of Verdi's Lyric comedy-Falstaff 裴翊彣; Yi-wen Pei
    2011-01-22 方言的發散:街頭、展覽、消費場域的臺灣塗鴉次文化; The Divergence of Vernacular: Taiwan Graffiti Subculture among the Street, Exhibition and Consuming Fields 許明霖; Ming-lin Hsu
    2010-09-29 延伸的空間——艾德華.威亞爾《公園》飾板組研究; The Space of Extension — Edouard Vuillard’s Decorative Ensemble, The Public Gardens 林葳; Wei Lin

    Showing items 111-120 of 191. (20 Page(s) Totally)
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