English  |  正體中文  |  简体中文  |  Items with full text/Total items : 81570/81570 (100%)
Visitors : 47014077      Online Users : 121
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version

    Community Statistics


    Item counts issued in 3 years: 19(6.05%)
    Items With Fulltext: 314(100.00%)

    Download counts of the item
    Download times greater than 0: 314(100.00%)
    Download times greater than 100: 298(94.90%)
    Total Bitstream Download Counts: 237373(0.55%)

    Last Update: 2025-04-27 19:38

    Top Upload

    Loading...

    Top Download

    Loading...

    RSS Feed RSS Feed
    Jump to a point in the index:
    Or type in a year:
    Ordering With Most Recent First Show Oldest First

    Showing items 151-200 of 314. (7 Page(s) Totally)
    << < 1 2 3 4 5 6 7 > >>
    View [10|25|50] records per page

    DateTitleAuthors
    2013-07-01 公共理念的實踐:1824至1865年早期倫敦國家畫廊的定位與革新; For the Sake of the Public: Defining and Reforming the National Gallery, London from 1824 to 1865 黃韻璇; Huang,Yun-hsuan
    2013-06-25 竇嘉的《十四歲小舞者》:身體與法國世紀末的焦慮; Degas's Little Dancer Aged Fourteen: Body and Anxiety in Fin-de-siecle France 陳亭聿; Chen,Ting-Yu
    2013-05-01 102年藝術學研究所美術組-中國美術史-入學考試題 藝術學研究所美術組
    2013-05-01 102年藝術學研究所美術組-西洋美術史-入學考試題 藝術學研究所美術組
    2013-05-01 102年藝術學研究所美術組-美學與藝術理論-入學考試題 藝術學研究所美術組
    2013-05-01 藝術學學門規劃研究推動計畫 吳方正
    2013-01-28 論Grosvenor Gallery展覽對於英國藝術的推展,1877-1890;The Grosvenor Gallery's Exhibitions and Its Promotion of British Art, 1877-1890 李昀; Lee,Yun
    2013-01-25 二十世紀初西方人對宋代繪畫的看法──以Laurence Binyon著作為例;Western Conception of Song Painting in the Beginning of the 20th Century: A Study on Laurence Binyon's Publication 麥書瑋; Mai,Shu-wei
    2013-01-25 清末民初圖案教育的建立與轉折;The Establishment and Transition of the Design Education in Early Twentieth Century China 顧志揚; Kou,Chih-yang
    2013-01-24 二十世紀初中國古代繪畫的日本展示 ──以1928年唐宋元明名畫展覽會為中心;Japanese Displaying of Ancient Chinese Paintings in Early Twentieth Century : Focusing on the Exhibition of Masterpiece Paintings of the Tang, Song, Yuan and Ming Dynasties in 1928 李佳穎; Lee,Jia-Ying
    2013-01-09 除魅與施魅:Goya 1797-99 年間的 巫術主題創作;Disenchantment and Enchantment: Goya’s Works of Witchcraft (1797-99) 梁云繻; Liang,Yun-ju
    2012-12-01 1900-1937 中國畫壇對「折衷畫」(中西融合畫風)之評論;Chinese Critiques on “Compromised Painting” (Styles Blending East and West) from 1900 to 1937 周芳美
    2012-12-01 自然的奇觀:盧梭的叢林畫作研究;The Spectacle of Nature: a Study on Henri Rousseau$S Jungle Scenes 曾少千
    2012-12-01 清末民初圖畫報刊研究;Early Chinese Pictorials 吳方正
    2012-12-01 藝術收藏、旅行書寫、與圖像製作:十八世紀後期印刷文化中的英國鄉間別墅;Art Collecting, Travel Writing, and Picture Making: English Country Houses in Late-Eighteenth-Century Print Culture 謝佳娟
    2012-09-01 1900-1937 中國畫壇對「折衷畫」(中西融合畫風)之評論;Chinese Critiques on “Compromised Painting” (Styles Blending East and West) from 1900 to 1937 周芳美
    2012-07-25 狂態邪學不可觀焉?──論浙派在明代中晚期之評價與張路畫藝;Aren’t the “Wild and Heterodox” Paintings Worth a Look?—The Study of the evaluation of the Zhe School in the Middle and Late Ming, and Zhang Lu’s Paintings 汪瑜菁; Wang,Yu-jing
    2012-07-19 日治時期赴中國之臺灣洋畫家-以劉錦堂、陳澄波為例;Taiwanese oil painters in China during the Japanese colonial period-Liu Chin-tang, Chen Cheng-po 張玉萱; Chang,Yu-Hsuan
    2012-07-18 光照之域:Philip-Lorca diCorcia的編導攝影研究;The Illuminated Field: A Study on Philip-Lorca diCorcia’s Staged Photography 吳家瑀; Wu,Chia-yu
    2012-06-21 想/ 像的雙面繆思:蘇菲.卡勒的《真實故事》;The Dual Muse of the Imagination: Sophie Calle's True Stories 莊憶萱; JHUANG,Yi-Syuan
    2012-06-20 史特拉汶斯基歌劇《浪子歷程》之研究;The Study of Stravinsky's Opera, The Rake's Progress 張雅婷; Chang,Yating
    2012-06-16 華格納歌劇《帕西法爾》之研究;The Study of PARSIFAL - Wagner's opera 蔡毓純; Tsai,Yu-Chun
    2012-02-28 101年藝術學系碩士美術組-中國美術史-入學考試題 藝術學研究所
    2012-02-28 101年藝術學系碩士美術組-西洋美術史 -入學考試題 藝術學研究所
    2012-02-28 101年藝術學系碩士美術組-美學與藝術理論 -入學考試題 藝術學研究所
    2012-01-17 乾隆朝宮廷畫家金廷標(?-1767)歷史故實畫研究;The Study of Jin Tingbiao’s (?-1767) Paintings of Historical Stories 楊婉瑜; Wan-Yu Yang
    2012-01-16 論卡拉瓦喬羅馬時期公共祭壇畫的世俗形式與宗教理念;Secular Form and Religious Ideology: Caravaggio’s Public Altarpieces in his Roman Period 鄭曉薇; Hsiao-Wei Cheng
    2011-08-30 捧桃將獻誰?日本桃山、江戶時期西王母圖像研究─以狩野派、圓山應舉為例; Presenting the peaches to…? A Study on Images of “the Queen Mother of the West” by Kan? Artists and Maruyama ?kyo, in Momoyama-Edo Period 楊雅琲; Ya-Pei Yang
    2011-08-30 東京美術學校畢業生自畫像研究--以1936年前作品為主; Self-portraits of Tokyo Bijutsu Gakko Graduates--on Works before 1936 謝蔆霠; Leng-Yin Hsieh
    2011-08-30 台灣陶瓷藝術文化之轉變-從陶器、陶藝到陶瓷博物館; The Transformation of Ceramic Culture in Taiwan-on Ceramic Art and the Establishment of Ceramic Museum 簡宜平; I-ping Chien
    2011-08-08 觀看淡水-風景意象的形成與風景畫; Viewing Tamshui-the shapingof landscape image and landscape painting 曹慧如; Hui-ju Tsao
    2011-08-01 清末民初圖畫報刊研究;Early Chinese Pictorials 吳方正
    2011-08-01 自然的奇觀:盧梭的叢林畫作研究;The Spectacle of Nature: a Study on Henri Rousseau$S Jungle Scenes 曾少千
    2011-08-01 江戶美術之「庶民特質」?--費諾羅沙之論述及其影響;“Plebeian Art” in the Edo Period: Rethinking Fenollosa’S Argument and Influence 巫佩蓉
    2011-08-01 藝術收藏、旅行書寫、與圖像製作:十八世紀後期印刷文化中的英國鄉間別墅;Art Collecting, Travel Writing, and Picture Making: English Country Houses in Late-Eighteenth-Century Print Culture 謝佳娟
    2011-07-25 全視之眼:Andreas Gursky的攝影美學與社會意涵 ; The All-seeing Eye: The Aestheic and Social Significance of Andreas Gursky’s Photography 林芝禾; Chih-Ho Lin
    2011-07-20 以沙龍女主人之名─苬佛涵夫人(Madame; Geoffrin,1699-1777)與週一藝術沙龍 In the Name of Saloniere: Madame Geoffrin(1699-1777) and Her Lundis 謝佳卉; Chia-Hui Hsieh
    2011-06-01 補助人文及社會科學研究圖書計畫規劃主題:西方藝術史(東西文化衝擊與藝術表現);Humanities and Social Sciences Book Acquisition Project: History of Western Art: Cultural Impact and Artistic Expression between West and East 謝佳娟; 陳彥良
    2011-05-23 當代的叛亂,傳統的燔犧:森村泰昌的跨界主體; Revolt of Contemporaneity, Sacrifice of Tradition: The Crossover Subject of Morimura Yasumasa 黃士誠; Shih-cheng Huang
    2011-02-27 100年藝術學研究所碩士藝術所美術組-西洋美術史-入學考試題 藝術學研究所碩士藝術所美術組
    2011-02-27 100年藝術學研究所碩士藝術所美術組-中國美術史-入學考試題 藝術學研究所碩士藝術所美術組
    2011-02-27 100年藝術學研究所碩士藝術所美術組-美學與藝術理論 -入學考試題 藝術學研究所碩士藝術所美術組
    2011-01-24 威爾第抒情喜劇《法斯塔夫》之研究; The Study of Verdi's Lyric comedy-Falstaff 裴翊彣; Yi-wen Pei
    2011-01-22 方言的發散:街頭、展覽、消費場域的臺灣塗鴉次文化; The Divergence of Vernacular: Taiwan Graffiti Subculture among the Street, Exhibition and Consuming Fields 許明霖; Ming-lin Hsu
    2010-09-29 延伸的空間——艾德華.威亞爾《公園》飾板組研究; The Space of Extension — Edouard Vuillard’s Decorative Ensemble, The Public Gardens 林葳; Wei Lin
    2010-08-01 清末民初圖畫報刊研究; Early Chinese Pictorials 吳方正
    2010-08-01 現代城市的圖像與文件---納達的巴黎攝影; Pictures and Documents of a Modern City--- Nadar's Photographs of Paris 曾少千
    2010-08-01 素描教育體制化---十八世紀英國素描手冊與素描學校之關係與影響; Institutionalizing Drawing Education--- Relations between Drawing Books and Drawing Schools and Their Impact in Eighteenth-Century England 謝佳娟
    2010-08-01 1926年費城萬國博覽會中日藝品之展示; The Display of Chinese and Japanese Artworks at the Philadelphia Sesquicentennial International Exposition, 1926 周芳美
    2010-07-30 日常的反身與政治—安內‧梅莎潔1970年代藝術實踐; The Everyday Reflection and Politics: Annette Messager’s Artistic Practice in the 1970s 姚建如; Chien-Ju Yao

    Showing items 151-200 of 314. (7 Page(s) Totally)
    << < 1 2 3 4 5 6 7 > >>
    View [10|25|50] records per page

    ::: Copyright National Central University. | 國立中央大學圖書館版權所有 | 收藏本站 | 設為首頁 | 最佳瀏覽畫面: 1024*768 | 建站日期:8-24-2009 :::
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 隱私權政策聲明