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    顯示項目101-125 / 190. (共8頁)
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    日期題名作者
    2013-01-09 除魅與施魅：Goya 1797-99 年間的 巫術主題創作;Disenchantment and Enchantment: Goya’s Works of Witchcraft (1797-99) 梁云繻; Liang,Yun-ju
    2012-07-25 狂態邪學不可觀焉？──論浙派在明代中晚期之評價與張路畫藝;Aren’t the “Wild and Heterodox” Paintings Worth a Look?—The Study of the evaluation of the Zhe School in the Middle and Late Ming, and Zhang Lu’s Paintings 汪瑜菁; Wang,Yu-jing
    2012-07-19 日治時期赴中國之臺灣洋畫家－以劉錦堂、陳澄波為例;Taiwanese oil painters in China during the Japanese colonial period－Liu Chin-tang, Chen Cheng-po 張玉萱; Chang,Yu-Hsuan
    2012-07-18 光照之域:Philip-Lorca diCorcia的編導攝影研究;The Illuminated Field: A Study on Philip-Lorca diCorcia’s Staged Photography 吳家瑀; Wu,Chia-yu
    2012-06-21 想/ 像的雙面繆思：蘇菲．卡勒的《真實故事》;The Dual Muse of the Imagination: Sophie Calle's True Stories 莊憶萱; JHUANG,Yi-Syuan
    2012-06-20 史特拉汶斯基歌劇《浪子歷程》之研究;The Study of Stravinsky's Opera, The Rake's Progress 張雅婷; Chang,Yating
    2012-06-16 華格納歌劇《帕西法爾》之研究;The Study of PARSIFAL - Wagner's opera 蔡毓純; Tsai,Yu-Chun
    2012-01-17 乾隆朝宮廷畫家金廷標（？-1767）歷史故實畫研究;The Study of Jin Tingbiao’s (?-1767) Paintings of Historical Stories 楊婉瑜; Wan-Yu Yang
    2012-01-16 論卡拉瓦喬羅馬時期公共祭壇畫的世俗形式與宗教理念;Secular Form and Religious Ideology: Caravaggio’s Public Altarpieces in his Roman Period 鄭曉薇; Hsiao-Wei Cheng
    2011-08-30 捧桃將獻誰？日本桃山、江戶時期西王母圖像研究─以狩野派、圓山應舉為例; Presenting the peaches to…? A Study on Images of “the Queen Mother of the West” by Kan? Artists and Maruyama ?kyo, in Momoyama-Edo Period 楊雅琲; Ya-Pei Yang
    2011-08-30 東京美術學校畢業生自畫像研究－－以1936年前作品為主; Self-portraits of Tokyo Bijutsu Gakko Graduates－－on Works before 1936 謝蔆霠; Leng-Yin Hsieh
    2011-08-30 台灣陶瓷藝術文化之轉變－從陶器、陶藝到陶瓷博物館; The Transformation of Ceramic Culture in Taiwan－on Ceramic Art and the Establishment of Ceramic Museum 簡宜平; I-ping Chien
    2011-08-08 觀看淡水－風景意象的形成與風景畫; Viewing Tamshui－the shapingof landscape image and landscape painting 曹慧如; Hui-ju Tsao
    2011-07-25 全視之眼：Andreas Gursky的攝影美學與社會意涵 ; The All-seeing Eye: The Aestheic and Social Significance of Andreas Gursky’s Photography 林芝禾; Chih-Ho Lin
    2011-07-20 以沙龍女主人之名─苬佛涵夫人（Madame; Geoffrin，1699-1777）與週一藝術沙龍 In the Name of Saloniere: Madame Geoffrin(1699-1777) and Her Lundis 謝佳卉; Chia-Hui Hsieh
    2011-05-23 當代的叛亂，傳統的燔犧：森村泰昌的跨界主體; Revolt of Contemporaneity, Sacrifice of Tradition: The Crossover Subject of Morimura Yasumasa 黃士誠; Shih-cheng Huang
    2011-01-24 威爾第抒情喜劇《法斯塔夫》之研究; The Study of Verdi's Lyric comedy-Falstaff 裴翊彣; Yi-wen Pei
    2011-01-22 方言的發散：街頭、展覽、消費場域的臺灣塗鴉次文化; The Divergence of Vernacular: Taiwan Graffiti Subculture among the Street, Exhibition and Consuming Fields 許明霖; Ming-lin Hsu
    2010-09-29 延伸的空間——艾德華．威亞爾《公園》飾板組研究; The Space of Extension — Edouard Vuillard’s Decorative Ensemble, The Public Gardens 林葳; Wei Lin
    2010-07-30 日常的反身與政治—安內‧梅莎潔1970年代藝術實踐; The Everyday Reflection and Politics: Annette Messager’s Artistic Practice in the 1970s 姚建如; Chien-Ju Yao
    2010-07-28 一個清代詞臣畫家的「科學」之眼？－以鄒一桂（1686-1772）為例，兼論考據學對其之影響; The Protoscientific Vision of Zou Yigui (1686-1772), with Commentaries on his Writings 姜又文; Yu-wen Chiang
    2010-07-28 庫爾貝裸女畫與大眾色情/情色文化的辨證; The Dialectic Relation between Gustave Courbet's Nude and the Public Pornographic/Erotic Culture 陳韋臻; Wei-chen Chen
    2010-07-27 掃象圖研究; ON the Paintaing of “Sweeping the Elephant” 陳又華; Yu-hua Chen
    2010-07-12 清代宮廷畫家冷枚人物畫研究; The Study of Leng Mei's Figure Painting 李亦梅; Yi-mei Lee
    2010-01-27 米萊恩．夏皮洛之「女像」(Femmage)：裝飾的愉悅和政治性; Miriam Schapiro's Femmage: Decoration's pleasure and politic 張執中; Chih-Chung Chanf

    顯示項目101-125 / 190. (共8頁)
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    每頁顯示[10|25|50]項目

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