鄰近類別 研究計畫 [111/111] 期刊論文 [7/7] 考古題 [20/20] 類別統計 近3年內發表的文件: 17(8.76%) 含全文筆數: 194(100.00%) 文件下載次數統計 下載大於0次: 194(100.00%) 下載大於100次: 192(98.97%) 檔案下載總次數: 222338(70.62%) 最後更新時間: 2026-06-27 09:02 上傳排行 資料載入中..... 下載排行 資料載入中..... 最近上傳 安傑利柯修士（Fra Angelico）的三件《天使報喜》祭壇畫研究;... 文件與藝術之間——1920至1980年代歐仁・阿特傑攝影的傳播與接受;... 清醒夢的返照──論王雅慧的影像空間、身體感知及觀看實踐;The Ref... 瓦堡的無名之學：克羅伊茲林根療養歲月中的跨領域知識與藝術史書寫（192... 行銷時髦：二十世紀初期惠羅公司（Whiteaway, Laidlaw ... 行走與觀看：台灣當代藝術地理測繪實踐之研究;Walking and W... 限時變身：雷諾茲《黛安娜盜取丘比特弓箭》的創作理念、圖像來源、及後世評... 論「當代表演」進入美術館：以2010-2020 年臺北市立美術館與北師... 改革開放後《連環畫報》之轉變與革新——以1980年至1985年所發行之... 肖像攝影的空間、經驗、類型：1920至1930年代臺灣寫真館佈景研究;...

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顯示項目101-125 / 194. (共8頁) << < 1 2 3 4 5 6 7 8 > >> 每頁顯示[10|25|50]項目

日期	題名	作者
2013-01-28	論Grosvenor Gallery展覽對於英國藝術的推展，1877-1890;The Grosvenor Gallery's Exhibitions and Its Promotion of British Art, 1877-1890	李昀; Lee,Yun
2013-01-25	二十世紀初西方人對宋代繪畫的看法──以Laurence Binyon著作為例;Western Conception of Song Painting in the Beginning of the 20th Century: A Study on Laurence Binyon's Publication	麥書瑋; Mai,Shu-wei
2013-01-25	清末民初圖案教育的建立與轉折;The Establishment and Transition of the Design Education in Early Twentieth Century China	顧志揚; Kou,Chih-yang
2013-01-24	二十世紀初中國古代繪畫的日本展示 ──以1928年唐宋元明名畫展覽會為中心;Japanese Displaying of Ancient Chinese Paintings in Early Twentieth Century : Focusing on the Exhibition of Masterpiece Paintings of the Tang, Song, Yuan and Ming Dynasties in 1928	李佳穎; Lee,Jia-Ying
2013-01-09	除魅與施魅：Goya 1797-99 年間的 巫術主題創作;Disenchantment and Enchantment: Goya’s Works of Witchcraft (1797-99)	梁云繻; Liang,Yun-ju
2012-07-25	狂態邪學不可觀焉？──論浙派在明代中晚期之評價與張路畫藝;Aren’t the “Wild and Heterodox” Paintings Worth a Look?—The Study of the evaluation of the Zhe School in the Middle and Late Ming, and Zhang Lu’s Paintings	汪瑜菁; Wang,Yu-jing
2012-07-19	日治時期赴中國之臺灣洋畫家－以劉錦堂、陳澄波為例;Taiwanese oil painters in China during the Japanese colonial period－Liu Chin-tang, Chen Cheng-po	張玉萱; Chang,Yu-Hsuan
2012-07-18	光照之域:Philip-Lorca diCorcia的編導攝影研究;The Illuminated Field: A Study on Philip-Lorca diCorcia’s Staged Photography	吳家瑀; Wu,Chia-yu
2012-06-21	想/ 像的雙面繆思：蘇菲．卡勒的《真實故事》;The Dual Muse of the Imagination: Sophie Calle's True Stories	莊憶萱; JHUANG,Yi-Syuan
2012-06-20	史特拉汶斯基歌劇《浪子歷程》之研究;The Study of Stravinsky's Opera, The Rake's Progress	張雅婷; Chang,Yating
2012-06-16	華格納歌劇《帕西法爾》之研究;The Study of PARSIFAL - Wagner's opera	蔡毓純; Tsai,Yu-Chun
2012-01-17	乾隆朝宮廷畫家金廷標（？-1767）歷史故實畫研究;The Study of Jin Tingbiao’s (?-1767) Paintings of Historical Stories	楊婉瑜; Wan-Yu Yang
2012-01-16	論卡拉瓦喬羅馬時期公共祭壇畫的世俗形式與宗教理念;Secular Form and Religious Ideology: Caravaggio’s Public Altarpieces in his Roman Period	鄭曉薇; Hsiao-Wei Cheng
2011-08-30	捧桃將獻誰？日本桃山、江戶時期西王母圖像研究─以狩野派、圓山應舉為例; Presenting the peaches to…? A Study on Images of “the Queen Mother of the West” by Kan? Artists and Maruyama ?kyo, in Momoyama-Edo Period	楊雅琲; Ya-Pei Yang
2011-08-30	東京美術學校畢業生自畫像研究－－以1936年前作品為主; Self-portraits of Tokyo Bijutsu Gakko Graduates－－on Works before 1936	謝蔆霠; Leng-Yin Hsieh
2011-08-30	台灣陶瓷藝術文化之轉變－從陶器、陶藝到陶瓷博物館; The Transformation of Ceramic Culture in Taiwan－on Ceramic Art and the Establishment of Ceramic Museum	簡宜平; I-ping Chien
2011-08-08	觀看淡水－風景意象的形成與風景畫; Viewing Tamshui－the shapingof landscape image and landscape painting	曹慧如; Hui-ju Tsao
2011-07-25	全視之眼：Andreas Gursky的攝影美學與社會意涵 ; The All-seeing Eye: The Aestheic and Social Significance of Andreas Gursky’s Photography	林芝禾; Chih-Ho Lin
2011-07-20	以沙龍女主人之名─苬佛涵夫人（Madame; Geoffrin，1699-1777）與週一藝術沙龍 In the Name of Saloniere: Madame Geoffrin(1699-1777) and Her Lundis	謝佳卉; Chia-Hui Hsieh
2011-05-23	當代的叛亂，傳統的燔犧：森村泰昌的跨界主體; Revolt of Contemporaneity, Sacrifice of Tradition: The Crossover Subject of Morimura Yasumasa	黃士誠; Shih-cheng Huang
2011-01-24	威爾第抒情喜劇《法斯塔夫》之研究; The Study of Verdi's Lyric comedy-Falstaff	裴翊彣; Yi-wen Pei
2011-01-22	方言的發散：街頭、展覽、消費場域的臺灣塗鴉次文化; The Divergence of Vernacular: Taiwan Graffiti Subculture among the Street, Exhibition and Consuming Fields	許明霖; Ming-lin Hsu
2010-09-29	延伸的空間——艾德華．威亞爾《公園》飾板組研究; The Space of Extension — Edouard Vuillard’s Decorative Ensemble, The Public Gardens	林葳; Wei Lin
2010-07-30	日常的反身與政治—安內‧梅莎潔1970年代藝術實踐; The Everyday Reflection and Politics: Annette Messager’s Artistic Practice in the 1970s	姚建如; Chien-Ju Yao
2010-07-28	一個清代詞臣畫家的「科學」之眼？－以鄒一桂（1686-1772）為例，兼論考據學對其之影響; The Protoscientific Vision of Zou Yigui (1686-1772), with Commentaries on his Writings	姜又文; Yu-wen Chiang

顯示項目101-125 / 194. (共8頁) << < 1 2 3 4 5 6 7 8 > >> 每頁顯示[10|25|50]項目